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P1010075I grew up in an age of portholes on graceful boats and yachts. They were beauty personified. They reflected an appreciation for elegance and style and a clean interface with the vicissitudes of nature. Like the Turkish royal yacht above or my own little trawler of recent years below, yachts with portholes were the only way to go. In my log, they still are.

But today’s ultra-modern yachts sport giant picture windows, both horizontal and vertical, punctuating their hulls. Some even have decks that fold out sideways like balconies and terraces. And upright bows and vertical lines that seem to sit upon the sea like stacked boxes rather than the sleek lines of good, classical nautical design that is one with the sea.

What these absurdities reflect, to my mind, is a growing inwardness in modern well-to-doers — viewing the world not as part of nature but as part of self, not looking out at the beautiful world but in. They care more about their personal “space” than they do about connections with the waters and land around them. It is, in effect, a degrading of man’s connection with the sea.

The result is distressingly ugly, fractured and disassociating. I won’t even show pictures of these “yachts” of today, because I can’t stand them. YACHTING Magazine, a long-time favorite of mine, is now chock full of these monstrosities. Are the “end days of yachting” upon us. I hope not.

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